THE HYPERBOLIC REVIEW


Along the Lines of the Golden Rectangle
Robert Lowes
A golden rectangle—with a width-to-length ratio of 1.618
that’s known as the golden mean—can be divided into an
infinite number of smaller and smaller golden rectangles. The
diagonals of all the rectangles converge at a point called “the
eye of God.”
How horrible to trap
the eye of God
inside a golden rectangle—a square
plus a classically comely add-on—spiraling
into successively smaller treasure chests
that disappear into God’s eye, that is,
infinity, a treasure that’s never paid
the rent, bandaged a wound, or supervised
a sparrow.
On paper, infinity looks cramped,
as is any theory in the soul’s dark night,
when I might wander my living quarters searching
for a magic pill.
Maybe the rectangles
hatch at the eye of God, and uncoil into
larger and larger rooms, plots, public plazas
where public harangues
set red-cap crowds aboil,
big-box stores, states with right-angle frontiers,
spacious closed systems and their many closets.
So what does golden mean? Spare me what’s on
paper.
Let a better eye wink at me.
Tonight my bathroom window frames the moon.
I’ve a notion
to tilt back
my head
and howl.

Robert Lowes is a writer in St. Louis, Missouri, whose second collection of poetry, Shocking the Dark (Kelsay Books), was published in 2024. His first collection, An Honest Hunger (Resource Publications), came out in 2020. His poems have appeared in journals such as The New Republic, Southern Poetry Review, Tampa Review, The Journal of the American Medical Association, Modern Haiku, and December. His last math class was in his sophomore year of high school when slide rules were the rule.