THE HYPERBOLIC REVIEW


Dostoevsky and the Dissonant Wind
Alex Missall
Dostoevsky and the Dissonant Wind Today
Today, the rising and empty wind
swirls faraway sound into splintered
other, as I search through the local trail,
and a shelf’s section of oak stands
after straining up a ravine, while the
shore before, whose opposing bank
held two friends fishing, and projecting
a conversation concerned—from what
I heard—more with the chaos of the day,
than my own bluster and understanding
of Dostoevsky’s dissonant echo of the law
twice two is four . . . Later on the path,
I question the equation proving time
spent suffering from 2 + 2 = this unmooring
bridge of busyness my dog and I find
after listening to miles of trees creaking
like definition about to sever from branches
of sense unequated.
Off the echoes of distant equations that rise
like rejected resolutions of 2 + 2 = 4,
my dog is kept on a leash, here, though
fears the 3 school buses, 2 semitrucks,
and an assortment of vehicles blowing
by a bridge’s guardrail, which our deafness
is secured against, while she tries to slip
her moorings of collar and leash, until
the faraway sound of the chaos of the day
ceases, and we’ve made the opposing side
of second sight, where I no longer question
the severed sense of swirling law and lightless sky
when cutting through the vast outskirt
of land the locality defines as a meadow,
or after I enter the cover of outlying woods,
but see behind every step forward only
emptiness, or 0, once the dissonant wind
dies.
Alex Missall studied creative writing at the University of Cincinnati. His poetry collections “A Harvest of Days” and “Morning Grift” are forthcoming from Finishing Line Press (2026). He resides in Ohio, where he enjoys the trails with his Husky, Betts.