THE HYPERBOLIC REVIEW


Mathematics Helps Me Accept My Shrinkage
Meghan Malachi
I never thought I’d write
another math poem
after dropping out of
graduate school. But here
I am, asking you
why it might be that the kernel
of a map, a homomorphism,
to be exact, reminds me
of failure. As a first-year PhD
hopeful, I thought of the kernel
as an empty box—that wasn’t quite right.
A friend taught me to look at it
this way: you hold a knife to that box,
and actually, that box is full.
and that knife can obliterate everything
in that box, no matter how convincing
or strong or unique its contents may be.
These days, when I think about kernels,
if I ever think about kernels,
I like to think of them
more like this: the countless ways
I attempt to braid kanekalon hair
into my own, each try ending with bright
fibers unraveling blissfully onto the floor.
Or the ranges of strength with which
I wrap crochet curls around my split locks,
praying that twists find a way to become knots.
Or the bottles and tubs of
gels jellies and snots I trusted
to turn my kinks into waves,
to instill fear in gravity,
not realizing that my plans
were doomed, oriented to nothing
from the very start.
Meghan Malachi is a poet and writer from The Bronx, New York. She is an associate editor at RHINO and the Co-Creative Director of Indigo Sessions. She is the first-place winner of the Spoon River Poetry Review 2022 Editor's Prize Contest and runner-up of the 2024 Princemere Poetry Prize. Her poetry collection, No Lace Fronts in Iowa City, was selected by Allison Joseph as runner-up of Madville Publishing’s 2024 Arthur Smith Poetry Prize. Her chapbook, The Autodidact, was published by Ethel Zine & Micro Press. She lives in Chicago, Illinois.