THE HYPERBOLIC REVIEW


This Asymmetric Property of Time
Jenny Isaacs
Let us draw an arrow arbitrarily. If as we follow the arrow we find more and
more of the random element in the state of the world, then the arrow is pointing
towards the future; if the random element decreases the arrow points towards the
past. That is the only distinction known to physics.
John Eddington, The Nature of the Physical World
On the morning of your 50th birthday I
was hanging in the sky
behind the sun
watching a band of light
widen ahead of me: dawn
a stacked ribbon of colors
at a visible angle to the perfect
Cartesian x-axis
of the vast Atlantic,
narrowing to indigo behind me
full flood of light imaginable
ahead, a sloping pink-and-orange sunrise
glimpse of time, I thought,
an orientation: from 33,000 feet
so easy to see
how west of me
is also slightly in the past,
it's yesterday where you are
night coming on you alone
in your time zone so far behind
and below, so close to sea-level
yes, we live
on a round planet
but of course time is not
the mechanical roll
of spinning round ball around
glowing round ball
which if reversed
would make perfect sense:
no, time's anisotropic,
(that pesky second law
of thermodynamics
obtains again)
but physicists love
talking paradox, so
umkehreinwand
means at the microscopic
level, time's symmetrical
the unsolved question is
why we can't see both ways
whether causality's
a quirk of consciousness
whether when I wake
to a stray memory
of our bodies configured
on the same
coordinate plane,
or when I work
to make a gift
out of recurrence
out of the turning and return
I am causing the past --
that early rising to duct-tape
a poem to your door,
that across-the-floor pounce --
every year the urgency
of our so-young selves
increased by energy
put into the system later: delta Q, rising heat,
a physicist could play
with that notion
Jenny Isaacs earned an undergraduate degree in poetry from Johns Hopkins University at a precociously young age. Four decades later, her first collection, The Argument of Time, is forthcoming from Finishing Line Press as a semi-finalist in their 2025 Open Chapbook Competition. Her poems have appeared this year in Pedestal, Up the Staircase Quarterly, Thimble Literary Magazine, Mezzo Cammin, Bulb Culture Collective, Willows Wept Review, Pulsebeat, and Neologism Poetry Journal. She lives on a creek off the Chesapeake Bay in Maryland.